π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅

@punchlineenglishkrFilmUnder a year on YouTubeOpen on YouTube β†—

Subscribers as shown on YouTube123K123,000 Β·

π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅ (@punchlineenglishkr) has 123K subscribers (123,000) on YouTube as of Sep 27, 2026. YouTube shows only the first three digits, so the real count is between 123,000 and 123,999. The channel has 255,178,659 views and 222 videos in total.

Views yesterday
+1.17M
9/26 β†’ 9/27
Views, last 7 days
-
Available Fri, Oct 2
Subscribers since tracking began
122K β†’ 123K
9/25 β†’ 9/27
Total views
255M
222 videos

Daily growth

Day 3 of tracking Β· collected once a day around midnight KST Β· tracking started Fri, Sep 25, so the history is still short

π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅: daily view increase01M2M9/26 741,692 views9/27 1,175,324 views8/319/79/149/219/27
π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅: subscribers (public count)123K122K9/25 122,0009/26 123,0009/27 123,0008/319/79/149/219/27

YouTube shows only the first three digits of subscriber counts, so the line moves in steps.

Daily records

π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅: daily subscribers and views (public counts from YouTube)
DateSubscribersTotal viewsViews gainedVideos
Sun, Sep 27123,000255,178,659+1,175,324222
Sat, Sep 26123,000254,003,335+741,692221
Fri, Sep 25122,000253,261,643-220

Recent videos

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Channel info

Name
π—£π˜‚π—»π—°π—΅π—Ήπ—Άπ—»π—² π—˜π—»π—΄π—Ήπ—Άπ˜€π—΅
Handle
@punchlineenglishkr
Channel ID
UCU3fgui7NLyYeNk3hIHIKYQ
Created
Nov 1, 2025
Country setting
South Korea
Topics from YouTube
EntertainmentComedyFilm
Show channel description

🎀 α΄…α΄€Ιͺʟʏ κœ±α΄›α΄€Ι΄α΄…-ᴜᴘ ᴄᴏᴍᴇᴅʏ πŸ‡ΊπŸ‡Έβ†’πŸ‡°πŸ‡· ©️ All rights belong to the respective comedians πŸ’Œ punchline.eng@gmail.com This channel is a curation platform dedicated to delivering the raw humor and social insights of international stand-up comedy to Korean audiences. Our focus is not just on translation, but on "Contextual Localization"β€”preserving the comedian's unique timing and cultural nuances through high-quality, authentic paraphrasing. Our mission is to provide an immersive educational experience, helping viewers master real-life English while exploring the bold boundaries of global comedy. We

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